Monday, April 10, 2017

Lots of shelves


My husband flagged a story in Saturday's New York Times about the complicated rules on forgiveness of student loans for people who work in public service.  It grabbed his eye because our daughter-in-law (and her student loans) works for Legal Aid.  When he passed the paper along, I was way more interested in the photo than in the story.

New York Times photo
Here's Jessica Schreiber, who started a nonprofit called Fabscrap, which collects and recycles "pre-consumer textile waste" from designers, garment manufacturers, decorators and others.

I looked up the organization, which is based in New York City, and learned some things I hadn't known.  Such as that in New York, if more than 10% of the waste of a business is textiles, it must recycle.  The waste that Fabscrap collects is sold to designers, students, teachers, artists, sewists and quilters, and I guess anybody else who wants some.  Some are sold online.  Certain materials are shredded for insulation, carpet padding, moving blankets and other industrial products.

Here's the good news for those in the New York area: if you volunteer to help sort the stuff that comes in on the trucks, you can take home anything you want, for free.

But all I could think of when I saw the photo was that Jessica's stash looks kind of lame -- all those shelves, so little fabric!  Any self-respecting quilter of my acquaintance, even me, post-divestiture, could come up with a better-populated backdrop for a fabric-related portrait.

Sunday, April 9, 2017

My favorite things 15



My husband's great-grandfather, William Jones, a Wisconsin farmer, served in the Civil War, the only one of our ancestors on either side of the family to do so.  He fought with Sherman in his march across Georgia, and in one of the last battles of the war at Bentonville, NC.  As they marched through Georgia, living off the land, Willie was on a detail that foraged for food for the troops.  On one memorable day he and his two mates found three barrels of whiskey in a hayloft.  The two mates promptly drank themselves into a stupor, but Willie, a staunch Methodist who neither smoked nor drank, stayed sober and loaded them into the wagon.  After much prayerful consideration he decided to bring the whiskey too, which prompted the colonel to call him "the best damn pilferer in the Union Army."

As the war ended, his general and another general were in a furious race to get to Washington DC in time for the grand victory celebration -- and to be there before the other guy.  The generals, of course, were on horseback, but everybody else was on foot.  Willie was issued a heavy piece of equipment to carry on the forced march and developed a serious hernia before they arrived.

The injury was permanent, and he spent decades trying to get a disability pension, which wasn't awarded until the 1890s -- the grand sum of $16 a month (with, of course, no back pay).  But he still had enough patriotic spirit, apparently, to show up for the 15th anniversary reunion of the 21st Wisconsin Volunteer Infantry regiment.  The souvenir medal shows his colonel, Harrison Hobart, who later served in the Wisconsin state legislature.

Somehow, of Willie's many descendents, we ended up with the medal, which has hung on our family picture wall for decades.

Thursday, April 6, 2017

Three months of daily text 1


It's April, which means I'm more than one-quarter through my daily art project for this year, and I thought it might be time for an update.  My rules for this year are to use found text and paste it onto 4x6 cards in poems or poem-like configurations or other meaningful arrangements of words.  Some of my pieces resemble the collages that I did for three years, but they're way less concerned with the pictures and way more with the words.

Mostly I find my text in the newspaper, which means that a lot of it has to do with politics.  I'll leave that part for another day; if you'd like to read those you can find them on my daily art blog -- look for the orange cards.

Sometimes I'll find an article in the paper that I "retell" in haiku form, often with several 5-7-5 verses rather than just one.  Using multiple verses takes more time than just finding three lines, but it allows me to tell a longer and more interesting story.




I've been collecting certain kinds of word clusters for several months, even before I started this year's project, so I have lots of questions and parenthetical remarks socked away in my files.  Sometimes I'll compose a text with them.


I have lots of "early" words left over from my book project last year, so they occasionally make their way into a daily text.

I'll write more about other forms and formats that I've been using in another post.  Stay tuned!

Tuesday, April 4, 2017

Quiltmaking 101 -- facing your quilt with curved edges


Facing the standard quilt (one with straight edges and square corners) is pretty easy, but recently a friend asked me how she should face a quilt with curvy edges.  Basically you use the same techniques, but with a few tweaks.  Start by reviewing the directions for facing a standard quilt. 

The first step is to trim your quilt to the appropriate smooth curvy edge.  Remember that you'll need an extra half-inch seam allowance to turn under.

Now contemplate your quilt and note just how curvy those edges are.  Lay your quilt out on a cutting mat (or for big quilts, on a floor with straight boards or linoleum pattern) so the curvy edge pretty much follows a straight line and the highest peak of the curved edge falls right at the line.  Now lay a ruler or straight edge on top of the quilt, parallel to the line on your mat or floor, to find approximately where the edge of your facing is going to fall.  Allow two inches of facing below the deepest valley.

This little quilt is aligned at the zero inch mark on the cutting mat.  We'll need to cut the facing 3 1/2 inches wide.






















This side has a gentler curve, so the facing only has to be 3 inches wide.






















You'll need to remember where to place the facing when it's time to sew.  Before you lift your ruler, put some pins along the edge, every six or eight inches.






















Do the same thing for the other sides of the quilt: establish your straight line, pin-mark the edge, and cut facings to the correct width.  Depending on the curves, the facings may be different widths, so make sure you keep track of which facing goes on which side.

Lay the quilt out flat on your work table, good side up.  Place the facing on top of the quilt, right side of the facing against the right side of the quilt.  Line up the inner edge of the facing with your pin marks, making sure that you have the facing smooth and taut along the length of the edge.  The outer edge of the facing should just touch the tops of the curves on the edge of the quilt.






















Pin the facing to the quilt, every eight inches or so.   But how do I know where to put the pins, you're saying!  I can't see the edge of the quilt!  That's right, but you can feel it, so you can tell that you've pinned through the facing and the quilt.  Now remove the original pins that were marking the edge of the facing; they've done their job and you want them out of the way.

If you'll recall the standard facing directions that you reviewed earlier, you would hold the facing on top of the quilt as you stitch.  But as you just noticed, you can't see the edge of the quilt, so that would be difficult.  Feeling the edge was accurate enough for pinning, but it isn't accurate enough for sewing.  So turn the quilt over, with the facing on the bottom and the back of the quilt up.

If you have a fussy sewing machine that doesn't like to sew over pins, or if it makes you nervous to sew with pins on the bottom of your work instead of visible on top, you can carefully put new pins on top, then take out the pins on the bottom.  

Now you can sew the entire length of this side of the quilt, leaving a half-inch seam allowance.  Don't use too small a stitch length, because you're going to have to take out some stitches at the corners for the next step and you don't want to shred your fabric.






















To sew the second side, pin as you did the first, except when you get to the corner.  As explained in the directions for standard facing, you need to finger-press the turnback for the facing and hold it in place.

Then place the new facing on top, pin and sew.

When you get back to the first corner, you'll need to rip back the stitching on the first facing strip so you can place the fourth strip underneath.  (Just hold it in the same orientation as this photo to make sure you're doing the right thing.)  And you'll cut the first strip off about a half inch past the edge of the fourth strip.

Now trim the facings to a half-inch along the curves.  As explained in the directions for standard facing, rip out the stitches at each corner, fold back the backing and quilt top and clip off a little triangle of the bulky batting and backing.

Restitch the corner.  It looks like this on the other side.

Turn the corner inside out and fold back the facings, feeling and pressing with your thumb and fingers to get everything lying flat. Working from the wrong side of the quilt, turn the facings a bit farther back than the actual fold line so they will not be visible from the front. Pin the facings every one or two inches as you go.

Because of the curves, you'll  have to work those edges more than if they were straight.  Pinch, fold, massage the various layers into submission.  You may find a couple of places where you need to clip the inner layers to let them spread out around a valley, or to notch them to let them cram into a hill.  But DO NOT CUT all the way to the seam, just halfway. You dare not risk that a clip might migrate past the seam and show on the top of your quilt!  And if you need to cut more than one layer, stagger the clips or notches so they're not directly on top of one another.

DO NOT CUT anything unless you first try to fingerpress it into place.  Fabric has a lot of give to it, and with gently curving edges, you may be surprised that you can ease things into place without clipping or notching.  On the other hand, make sure to inspect the right side of your quilt carefully before you proceed.  A place may have felt OK as you were pinning but have an ugly pucker when you look at it closely.  (Like right below that white pin.)

I removed the pins and clipped the inner layers in a couple of places, then repinned.  Much nicer now!

As you can see in the photo above, the facing will have a straight edge toward the center of the quilt, but will vary in width with your curves.  You may want to keep the outer pins in until after you have stitched the facing down.  You may also want to press or block the quilt to set the folded edge more securely.


Sunday, April 2, 2017

My favorite things 14


When we went to New Zealand a dozen years ago, we were surprised to be handed a half-pint of milk when we checked into our hotel.  We realized that it was to doctor up our tea, which we would be able to make with the electric kettle in our room.  And every other hotel in New Zealand and Australia that we stayed in had a kettle too.  We didn't use the milk, but I was in heaven.  What could be nicer than a cup of tea on demand!

For many years I had used unsatisfactory methods of preparing the cups and cups of tea that fuel my existence from morning through dinnertime.  I usually boiled a big pyroceram coffeepot full of water, threw in a couple of teabags, and hoped it would stay warm for a while (that worked for maybe an hour).  Subsequently I would nuke the cooled tea in the microwave, but it never tasted quite as good.

But when we came home from the Southern Hemisphere I knew I needed an electric kettle.  They were just starting to be available in the U.S. -- heck, I never even knew such a thing existed until that vacation -- and I was delighted to find one at Target.  I've never looked back.  I carry my kettle with me on vacation, to quilt retreats, even sometimes when I have an afternoon shift at the gallery.  I even keep a duplicate kettle downstairs so I can fix tea when I'm in the studio without coming upstairs.






















This kettle has a design flaw; both of mine (identical model) as they aged lost the ability to turn themselves off when the water boils.  But I love them anyway.  My lifestyle without a kettle would be much different, and much less pleasant.




Thursday, March 30, 2017

Life imitates art 8


So imagine my surprise when I looked at the front page of the New York Times this morning and saw -- my quilts!

New York Times photo

Don't you think this photo of a solar farm in China looks a whole lot like my Crazed quilts?