Wednesday, January 18, 2017
My art book club (in which we don't actually read books) had an assignment this week to bring in a report on an artist that nobody else had ever heard of. I have been consumed with activities surrounding my gallery show and left it till the last minute to prepare, so I had to go with an artist that I own a whole book about, H. N. Werkman.
Werkman was from the Netherlands, born in 1882 and died in 1945, executed by the Nazis just two days before Canadian troops liberated his town of Groningen. He owned a printing business and used type to print artwork that looked quite avant garde and sometimes painterly, but it wasn't produced that way. Here are two of his pieces:
I love his work and after I re-read the book I decided to try my hand at some Werkman-style art. I found two capital Ls, two capital Os, a hyphen and an exclamation point in my type case and set to playing. I inked the type with a foam brush and printed each character individually onto the paper, unlike Werkman's typical process of setting up his type face up on a flatbed press. So my characters weren't as neatly lined up as his. Also my hand-inking left blobs of paint around the edges of some of the characters. But after the paint dried I decided both these irregularities added something to the effect. Werkman often used the bottom of his type to produce plain rectangles rather than letterforms. I did a little bit of that too in my experiments and liked it.
Monday, January 16, 2017
Cleaning out my studio I'm finding a lot of mystery stuff. A lot of it I realize that I don't want or need, and put it in the grab bag bag. At least I know what it is. But I am totally in the dark about this big bag.
Think dozens and dozens of absorbent sheets, kind of like disposable diapers, maybe a half-inch thick, of a shape and size that must be suited for something but I can't imagine it. Somebody must have given them to me thinking that they would be useful for some phase of fiber art, and I must have agreed, but ??????
All suggestions gratefully accepted.
Sunday, January 15, 2017
At the time I thought this was a traditional folk art, but have learned more recently that the first peoples hardly ever carved in stone until 1949. At that time the Canadian government decided to encourage the production of artwork among natives who no longer followed the old subsistence lifestyle. While they had traditionally carved ivory, bone and antlers, now they were steered toward soapstone, which was found in the Arctic. (Interestingly, some of the Inuit artists are importing their soapstone from Brazil.)
Thursday, January 12, 2017
Here are the "installation views" of my flags on display at Pyro Gallery through February 18.
We'll be having a gallery talk at 12:30 on Saturday, January 14. If you're in the vicinity, drop in and visit!
Tuesday, January 10, 2017
I wrote yesterday about Amy Pabst, who has been corresponding with me for some time about her fine-line quilt in progress. Shortly before Christmas she wrote to say she had made a bunch of modules, and to ask for advice about how to join them. I gave her a couple of hints, and decided that it might be a good idea to write a more extensive tutorial to share with everybody.
I mainly thought this might be a help to Amy, but I moved too slowly. Once this woman decides to sew, stand back!
Here's what her design wall looked like on December 3:
On December 16:
And here's her quilt top, finished on December 22:
Although it's not apparent in the full view, all of her white fabrics are striped (some are white-on-white). The full quilt measures 63 x 70 inches.
I think this is a beautiful quilt! It reminds me of a couple of my own quilts, which isn't surprising because Amy used them as models. And I think I own and have used several of the same red stripe fabrics.
After she finished, Amy wrote: "I was very surprised at how well everything fit together. I had to do a little fiddling, adding and trimming here and there, but for the most part everything ended up a good fit by what seemed like pure chance..... I love working with small pieces, but normally I paper piece and plan and calculate everything to exact measurements. The free style construction of this quilt was brand new to me and very refreshing after all the rigid perfection of paper piecing."
Amy, I'm so glad that you made this quilt, and that you like the improvisational approach. Yes, it is a very different way to work, with very little advance planning and certainly no exact measurements, and yes, it is refreshing! Thanks so much for sharing your photos, and I hope we'll get another look when it's all quilted.
Monday, January 9, 2017
OK, if I haven't convinced you to take up daily art for 2017, or make a huge striped quilt with fine-line piecing, what ARE you going to do to perk up your artistic life in the new year?
Here's another suggestion -- learn Photoshop, or if you already allegedly know it, relearn what you once knew and have forgotten because you haven't used it in way too long a time. (If your copy is Photoshop Elements 9, I'm talking to you!)
Time for my periodic unpaid testimonial to the Pixeladies, Kris Sazaki and Deb Cashatt, who taught me everything I know about Photoshop and thus enabled me to do all kinds of things that have come in handy, such as this banner for the Pyro Gallery website which I whipped out two weeks ago (yes, that's my flag quilt on the right).
click here for my posts.
Kris and Deb are starting a new cycle of classes later this month and I guarantee you'll not only learn plenty but have fun. And they're not very expensive either. I've dabbled in various online learning approaches, ranging from college credit on down, and by far this is the best-organized and best-supported platform I've ever seen.
As I've said before, these women are not my sisters-in-law and they're not paying me a kickback for referring students. I'm just a very satisfied customer who thinks you might become another one.