Thursday, January 10, 2013

Teaching an old thread new tricks 1

A couple of days ago there was a discussion on one of my email lists about whether it's OK to use embroidery floss that might be 20 or 30 years old.  I got a chuckle out of that, because I own embroidery floss that might easily be 100 years old.  It came from  my grandmother's sewing basket and I know that she learned to embroider before the turn of the century -- and I don't mean this last one.

I'm sure that some stitchers are compulsively neat about their floss, keeping it wound on those little cardboard cards or pulling only as much as they need from the skeins.  And some have stitching habits that impose arbitrary discipline on the stash.  For instance, Judy Martin, whose work I am in awe of, has a daily art project in which she stitches up one skein of floss every day.  If you're always starting with a fresh skein, and you finish it all up right then and there, you can't possibly end up with a mess.

Then there's me.  No matter how neatly I try to work, I can rarely get the floss to pull smoothly out of the center of the skein, so I end up with globs and often have to remove the little paper bands.  And after I separate the floss into two three-strand portions, I often end up with the leftovers just sitting there, dying to get into trouble the minute my back is turned.

So my floss collection includes more than one clot of snarled miscellaneous.  In fairness to myself, I don't think this is entirely my own (ir)responsibility.  I know that some of those aggregations came from other people, including Grandma, so they're probably decades old.  I also recognize some of the floss as having come from kits that I got in the 1960s, or that I bought when we lived in Germany in the 70s.

With a collection like this, I have no hesitation about using anything that I see.  Not sure I would want to lower myself from a skyscraper on a rope made of 40-year-old floss, but how much stress is ever put on embroidery?  Occasionally a thread might break if I have managed to get it into a tangle and have to yank it free, but that's also true of new thread.  When that happens, you just cut out the part that broke and start over.

One of the email list people wrote to say that she had a 50-year-old dresser scarf embroidered with black, which has now faded to the point of virtual invisibility.  But that was after 50 years in the sun, not 50 years in a sewing bag.  Perhaps today's threads are more colorfast, but I'm willing to take my chances on yesterday's threads.  If nothing else, I suspect their history will give my work an air of mystery and authority.



8 comments:

  1. Sorry, I aspire to that level of neatness..

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  2. I have a jar of threads that look suspiciously like those. I thought that was how they were suppose to look.

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  3. Looks like my threads. The cat helped get them like that.

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  4. From a thrift shop I bought someone's embroidery floss collection. It's in one of those sets of little drawers men keep nails and screws in in the garage. Each drawer is labeled with the DMC floss number. Very well organized! Some floss in my own collection is wound on cardboard cards, some is in skeins, and the rest looks like your jumble! I'd guess some of my floss is approaching 50 years old, but I can't think of any reason not to use it.

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  5. Love The Pic!!! And the attitude. Each to their own liking and ability ... And after all , Gordian knots have an important function in The world who knows what yours' destiny is going to be?

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  6. Ah, love those leftovers from kits! And who knows, untangling might become the latest craft craze...

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  7. OK, I'm not a very neat person,. But it bugs me to pay so much for embroidery thread and then lose some to tangles. I put mine on those little cards. Here's how to do it, elegantly explained in French (with plenty of pics):
    http://chicandrusticcrochet.blogspot.fr/2013/01/diy-skein-tutoriel-echeveaux.html

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