One of the tapestries was big (maybe four feet across) --
Maximo Laura, Tiburon Madre (detail below)
The artist is from Peru, one of several international participants in the show, and the primary fiber in this piece is alpaca. Many of the design elements are raised (wish I knew more about weaving techniques so I could explain how this was done) and apparently outlined with hand-stitching. I loved the cheerful colors and little sea creatures that seemed simultaneously naive and sophisticated.
The other was small, only six inches wide --
Kathe Todd-Hooker, Too Little -- Too Late (detail below)
I think it's always difficult to use text in art without it seeming heavy-handed, like an editorial cartoon. But this piece seemed to work well, with the crude letterforms somehow complementing the delicate imagery.
Here's a hybrid of embroidery and quilting --
Loved the dense hand-stitching that made up the "picture" -- not sure about the deconstructed "frame," with neatly pieced border strips concealed by the occasional raw-edge overlay. If there was a point to this conspicuous gesture, I couldn't figure it out.
Saving the best for last, here's my favorite piece in the show: is it a box? is it a book? Either way, it's a gem.
Eszter Bornemisza, Primitive Findings (details below)
I loved that one too. Just the way the fabric was put in each compartment seemed deliberate and beautiful. I kept coming back to look at that one-you just wanted to touch it.
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