But you can't help but pause and relax into a transcendent state when you hit that barely-pre-modern era in the museum. Here are several that I would be happy to take home with me. Starting from the oldest:
Gustave Courbet, Sunset, Vevey, Switzerland, 1874
Claude Monet, Rocks at Belle-Ile, Port-Domois, 1886
Couldn't you just eat this one with a spoon? I want to sit down on a bench and hyperventilate for a while over the light on the horizon.
Vincent Van Gogh, Undergrowth with Two Figures, 1890
Now we're into the Post-Impressionists (I always have a hard time keeping track of when one period ends and the next one starts). The wall signs helpfully explain that the Impressionists "sought to accurately record the colors and atmospheric conditions of the world around them" while the Post-Impressionists focused on "the symbolic and expressive aspects of color."
Andre Derain, The Bridge at LePecq, 1904-5
Derain was one of the early Fauves, the bunch of mostly French painters whose exuberant use of non-realistic color gave the fusty art establishment the vapors. Fauve means wild animal, and that's about how they were regarded by the conservatives.
Maurice Utrillo, The Red Wall, Boulevard De La Chapelle, ~1910
Theo Doesburg, Composition Variation, 1918
Nicholas de Stael, White Bowl, 1954
I know this was painted within my lifetime, which should make it at the very tail end of "modern" and starting to be "contemporary art," but it has a much older feel and I am not embarrassed to put it in the same post as the other much earlier artists.
Hi Kathy, I don't know if my original comment made it through cyberspace. I wanted you to know I'm enjoying your comments. It's like walking through the museum with you.
ReplyDeleteYes, I love the visits and I am always grateful to the museums that let us take photographs.
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