Yesterday I wrote about my middle-of-the-night realization that my collaborative piece was crap. The next morning I went into my studio and took off the thread-drawing, which I liked a lot, parking it on my design wall for a future use. I cut away some of the selvages. I took the hand and relocated it to a much better place.
The rules for the project stated that "you should make additions and subtractions to the piece as you see appropriate," and I decided I had to subtract before I could add.
I cut the pegboard into a much smaller size.
I got more acrylic yarn and stitched over the top of the preexisting raccoon/pencil, to complete the cross-stitch pattern across the entire piece.
To respect my collaborator, who was revealed to be Lelia Rechtin, I decided to pretty much keep the original title, even though it still mystified me. I shortened it a bit to "Everything In Its Hands."
I found this exercise frustrating, but a lot of fun. It's very difficult to read somebody else's mind and try to figure out their intentions, so you can attempt to complete their work rather than just burn it down and build your own work on its ashes. Not sure I achieved that, and not sure that either of us successfully interpreted the theme of "cosmopolitan localism."
But I did use a found object that had (most of) the name of our city in it. It may not be cosmopolitan, but it is local.
Friday, June 28, 2013
Posted by Kathleen Loomis at 6:05 AM
Labels: collaboration, found objects, painting
Subscribe to: Post Comments (Atom)
Better, looks more arty less crafty.ReplyDelete
I agree with the change in size but why does everything have to be a rectangle?
or have straight sides?
I think when you have licence to change the first thing I like to change is the orentation and size, and even the outline. i think we all get locked into everything looking like A4 paper.
are you familiar with jeffery smart paintings?
the origional words/ideas and stitched shapes prompt my thoughts to his work.
I have been following your blog for a long time and i don't know why this project has prompted me to comment??
I like where you put the hand, it makes me think of zombie/ghosts of projects past trying to escape the boxes they get confined to.